That’s where the presets that come with Photomatix Pro enter the picture. The problem for anyone starting out is, well…. The resulting file is the basis for all of the rest of the work that can be done in Photomatix Pro. When these choices are made, click Align & Merge to HDR There are settings to help if you hand held the camera instead of using a tripod.
Tell Photomatix how you made the brackets. Leave Show 32-bit unprocessed image unchecked. Choose the files by clicking OK in this dialog. Tell Photomatix to Merge for HDR Tone Mapping and Fusion by clicking OK. Drag a set of images made at least one stop apart into the Photomatix Pro dialog. The graphic that follows shows the series of dialogs to navigate to merge photos into an HDR file. What’s great about this method is that the changes made in the RAW processor appear in the bracketed TIFs. If your RAW format is not supported, use your favorite RAW processor to make a series of 16-bit TIF files at the native camera resolution. Photomatix Pro 5 can open RAW photos from most cameras from Canon, Fuji, Nikon, Olympus, Panasonic and many more. The first question that comes to mind is “Where in the world do I start?” The answer? Presets. Opening a bracket set in Photomatix Proīefore jumping into presets, here’s a quick start for opening a series of bracketed photos.Once Photomatix Pro 5 opens a set of bracketed images, especially in Details Enhancer or Tone Compressor, the choices of controls is kind of intimidating. I made a quick set of 3 bracketed exposures at 2 stop brackets to use Photomatix Pro. I noticed a pair of children with their father standing in front of the remains of a favorite place to eat. 
I saw this one was under what looked more like destruction rather than renovation. Periodically the company remodels one of their restaurants. The photo above is the normal exposure of a Waffle House near my studio.
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